Home » 6 Ways Universal Uses Psychology to Scare the Pants Off Theme Park Visitors

    6 Ways Universal Uses Psychology to Scare the Pants Off Theme Park Visitors

    Mannequins Diversion

    Universal Orlando’s Halloween Horror Nights has evolved from a 3-night party to an elaborate 28-night spectacle. While every department plays an important role, from marketing to security, each year’s event is designed and created by a surprisingly small Art & Design team.

    Haunt industry experts who also happen to be HHN super-fans, the A & D team bends over backwards to thrill long-time aficionados and brand new visitors alike. One of the secrets to their success is the subtle use of psychology to build the scares.

    Let’s take a look at six of their most successful tactics…

    1. Diversion

    Mannequins DiversionMannequins DiversionThese mannequins are a great diversion from the scareactors nearby.

    Legendary horror filmmaker Alfred Hitchcock was known for his twist endings. He was a master at leading his audiences down a path of expectations and then taking a sharp and completely unexpected turn. Yet in retrospect, the twist ending was foreshadowed from the beginning. This tactic works because our brains tend to fill in the gaps in the information that is presented and create scenarios that make sense to us. The diversion is the set-up for a good scare.

    Halloween Horror Nights is packed with diversions. A mannequin sitting motionless in a chair is spotlighted to catch your eye, ensuring that you never notice the killer clown skulking in the darkness. A loud noise makes you run forward, straight into a room filled with zombies. Like Hitchcock himself, the A & D team is excellent at leading you down one path of expectations before sending you hurtling into an entirely different layer of fear.

    2. Surprise

    Sliding MirrorSliding MirrorAs demonstrated by our tour guide, this mirror slides back to reveal a scareactor.

    The other half of Hitchcock’s twist ending is the element of surprise. Since your brain has already filled in the details based on the diversion, you are primed for an unexpected startle. Arguably the most famous twist ending of all was Hitchcock’s masterpiece, Psycho. Think back to the moment you saw the corpse of Norman Bates’ mother. Those few seconds of film are enshrined in movie history due to the shock they induced in audiences.

    HHN is packed with surprises designed to startle unsuspecting visitors. A mirror turns out to be a sliding door with a scareactor behind it. You stop to take photos of the marching Chainsaw Drill Team, only to be shocked when the Drill Team breaks ranks and scatters through the crowd, chainsaws screaming in the night. You come around a corner heading for the bathroom, when a very large actor wielding an even larger spear suddenly hisses in your ear.

    3. Pacing

    Foreboding HallwayForeboding HallwayThis foreboding hallway helps to pace your experience in the haunted house.

    Have you ever been to a local haunt that just throws scare after scare after scare in your direction? At the beginning, you might scream and run. By halfway through the house, your reflexes have dulled. You might still jump a bit, but everything seems to run together. It gets boring, and you’re ready to just take a nap.

    There are a couple of different psychological principles at work here. One is the nature of the fear response. When you are frightened, your sympathetic nervous system takes over and induces what is known as fight or flight. The primitive parts of your brain want to fight the threat or run away—always choose flight, as fighting will get you in trouble! After a while, though, the parasympathetic nervous system takes over. Your brain realizes you aren’t really going to die, your body relaxes, your heart rate returns to normal and you start feeling a little foolish. You also get tired due to the extra energy you expended being afraid.

    If you are a very fearful person, your parasympathetic nervous system might not take over while you’re still in the haunted house. Instead, you might slip into what is known as learned helplessness. Investigated in a famous series of experiments with dogs given electrical shocks, learned helplessness sets in when you begin to feel that there is no escape. Your sympathetic nervous system sort of gives up, and finishing the haunt just feels like a test of endurance.

    The A & D team expertly avoids these responses by incorporating pacing techniques, both within each individual haunt and throughout the event itself. Within each house and scare zone are dead sets—places that are highly decorated but contain no scareactors or audio-animatronics. These spots allow your heart rate, breathing and other physical reactions to calm down, while building anticipation for what might come at you next. These carefully crafted pauses keep the tension at a slow build and keep you engaged in the experience.

    The overall event is known for its haunted houses and street scares, but it also features at least two live stage shows each year. Many of the rides, shops and restaurants are open as well. Much like the dead sets, taking in a funny show or a favorite ride allows you to take a break from the scares. You can reset your own emotional responses and then revisit the scariest elements when you are ready.

    4. Technical details

    Fog EffectsFog EffectsThe technical elements enhance the spooky atmosphere.

    Think back to Psycho for a moment. Would the Bates Motel have seemed so creepy if it was broad daylight? The rain and fog effects helped draw the viewer into the story. And what about that knife attack in the shower? Filming that scene took a full 7 days and more than 70 separate camera angles. The camera actually becomes the knife, with the effect dramatically enhanced by the music and sound effects. Did you know that only in 3 frames does the knife ever actually pierce the skin—and then it is only by about ¼ of an inch?

    Again, A & D borrows from the horror legend in designing and implementing the show. Much of the ambience is provided by the technical elements that you do not pay much conscious attention to. Fog, creepy lighting, music and sound effects, and the judicious use of audio-animatronics all combine to create the perfect backdrop for the scareactors to work their magic.

    5. Building expectations

    Alice Cooper House FacadeAlice Cooper House FacadeI’m not sure what heightened my anticipation more–the blaring Alice Cooper music or entering through his oversized mouth!

    The Halloween Horror Nights experience begins long before you ever set foot in the park. For HHN fans, late spring marks the beginning of the season, as A & D begins dropping cryptic hints on the official Halloween Horror Nights website. Throughout the summer, portions of that year’s experience are gradually revealed. Fans get together in person and on Internet forums to work out clues, share construction photos, and try to deduce what A & D has in mind.

    By September, the website is complete. Commercials and billboards draw speculation from long-time fans and invite new horror seekers into the event. Anticipation reaches a fever pitch before the gates ever open on the first night.

    Yet the pre-season build-up is only the beginning. From the opening show through the layout of each individual haunted house, all parts of the event are carefully crafted to build a multi-layered experience. Many people buy Frequent Fear passes, which allow them to return again and again all season, in order to truly examine all of the amazing details that work together to make HHN what it is.

    6. Dynamic changes

    Silent Night Psychotic NightSilent Night Psychotic NightAfter this sign was made, “Silent Night Psychotic Night” became “Psychoscareapy: Home for the Holidays.”

    Although it is more than 20 years old, Halloween Horror Nights is far from a static experience. Every year, the entire event is rebuilt from the ground up. In addition, HHN changes dynamically from night to night and sometimes even from hour to hour. Actors have a great deal of leeway to change up their performances. During the first weekends, legions of survey takers stand outside the houses, shows and scare zones to gain audience feedback. Stage managers and performance coaches walk through to find things that need tweaking, and they are open to actor suggestions.

    All this adds up to a dynamic experience that does not allow the visitor to become complacent. No matter how many times you visit during a given year, you are always sure to find something new. This builds anticipation and excitement, keeps you slightly on edge, and prevents you from fully relaxing. Invariably, towards the end of the run, I eventually find myself perched on a park bench, chatting with friends about something completely unrelated to the event. The scareactors, who by this point recognize me, manage to sneak up while I’m paying no attention and give me an excellent scare!